PBE Pluto Steppin Tour

The Mobile Alabama Native PBE Pluto has been making moves for a minute now. All around the nation clubs and radio stations are going bonkers for his Single Steppin .Available now on all platforms !!   This Tour Starts In Bronx New York and ends In Los Angeles California !

http://www.youtube.com/embed/vSQzw9TFw2k?wmode=opaque usg=AOvVaw2fm3uT_fknYbEU3i1JqmlX” rel=”noopener”>





Web: pbepluto.com

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Video director: Terrius Mykel




“Jeen-Yuhs” Episode iii Review by Gabrielle Lamontagne

Episode iii: AWAKENING – Review

by Gabrielle Lamontagne

The final episode of this documentary trilogy is both more alike the first episode and completely different from the rest of the series. Stylistically and focus-wise, this episode is similar to the first episode because it discusses Kanye West’s home life, his struggles to obtain success, and his public appearance. However, it is also completely different because it turns inward to discuss the personal life of the narrator in more depth, especially how parenthood affected his life and his sadness at the distance in his relationship with Kanye, and it also deals majorly with the topic of mental health difficulties and the stigma surrounding such issues – especially in terms of celebrity media coverage.

It’s a well-told and fascinating aspect of Kanye West’s story that is definitively “behind-the-scenes”. It’s interesting to see how Kanye West changed due to his celebrity success, and then again due to depression from personal-life issues. Other musicians even commented on how his music and lyrics had changed from the “real” quality that they had when he was “up-and-coming”.

Actually, I most enjoyed the parts of this episode that focused on the narrator’s life and the footage (and his commentary) of his daughter growing up. She seems like an awesome kid and I admired his heart-felt remarks about parenthood and family. He tied it in well with what was going on in Kanye West’s life at the time and how he felt about what his friend was going through.

I’m sure that fans of Kanye West will truly enjoy this classic documentary about the ultra famous Rap/Hip-Hop artist.

SMGMT Lungz and Junior2Sav Release FEELINGS GET HURT prod. by JJRemix

After touching down in North West Arkansas (NWA,) Hafa Adai Media/ Signature Management music artist Lungz swiftly networked. Finding local creatives that would be interested in exploring opportunities in the indy music field was a priority.

Knowing that this region of Arkansas has major room for improvement in developing an actual Hip Hop scene only inspired Lungz even more, yet acquiring the talent and engineering skills of Junior2Sav from bEAtZwRAp Soundlab was an unforeseen blessing that caught Lungz by surprise.

“I knew I could find artists to develop but discovering Junior’s work on social media was a total win,” said Lungz, “…Junior already has a loyal following, talent and work ethic to back it.”

Lungz continued, “I had this concept. A custom beat by JJRemix… with a Paul Wall sample… JJ used the sample I suggested.. and it was banging like King Kong in the mother fu**in trunk. I knew Junior2Sav would be the perfect feature for the record. He had the most legit studio in the area as well. It was inevitable that we would create something. NWA has never experienced a song like this locally.”

Check out the song on You Tube below.

Visuals by MaxMillyArtworks

“I Know People Who Listen to Rap…” SPECIAL by IMABDA1 Review

“Special” by Imabda1 Review
by Bri Lamontagne

SPECIAL” by Imabda1 is more Hip Hop than Rap, considering it’s slower lyrical style. This is a love song, though the vocals are somewhat rough and out of harmony, unlike most popular music – a style more common in the Country genre. The lyrics are well-written with a varied vocabulary, though. As the song continues the synth beat that comes in adds the Hip Hop feel to the song. The verse lyrics also use repetition to emphasize line endings, especially ones that almost rhyme like the first word “behold” and “alone” or “you” and “lose”.

The chorus is more like traditional Rap music in style, though the lyrics are still more romantic more than traditional Rap songs which usually focus more on the physical aspect of the relationship than the emotional aspect. They’re fast, but still slow enough to be easily understood, which I enjoy. It’s so fast I almost miss some of the references to pop-culture in the mix, but they’re there if you listen through a few times in a row. There’s something new to focus on each time.

While the Rap genre isn’t known for it’s emotional love songs, it’s nice to see it shifting. People in every walk of life go through these kinds of feelings or relationships, so it’s nice to see it finally starting to be represented in Rap music. I’m also glad it’s acceptable in modern music for men in every genre of music to be openly vulnerable in this way.

It’s short and sweet and well worth a listen.

Your Creative Culture Connect


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